Worst Movie Ever, Version 2 |
Worst Movie Ever, Version 2 |
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#1
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![]() Senior Member ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Group: Head Staff Posts: 18,173 Joined: Mar 2005 Member No: 108,478 ![]() |
I don't think it's that bad, but Sweeney Todd is definitely not that good. (I can't think of anything worse right now; might edit if I do.)
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#2
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![]() in the reverb chamber. ![]() ![]() ![]() ![]() ![]() ![]() ![]() Group: Staff Alumni Posts: 4,022 Joined: Nov 2005 Member No: 300,308 ![]() |
You use big words, but people really need to dig through that pile of shit to get to what you're really trying to say. I don't know. I think a lot of my criticisms (say Harold and Kumar and Juno) have been informed by more detail and evidence, while some might have been more vague (possibly in this instance). But, I'm not compelled to really articulate anything much further than my most immediate impressions when someone praises a film in perfect simpleness and utter ambiguity. Although I agree that my comment could definitely benefit from greater substantiation, I couldn't possibly concede that I have presented my opinion in any less detail than anyone else in this particular thread. Further, I am not persuaded that my comment is any more or less condescending, in comparison to anyone else's comment here, given merely by its explicitness. If you actually see the film, and still disagree with my (more general) opinion, I would encourage a discussion. But, for now, I'll leave you with this: The Fountain was so pretentious impart because it was so self-indulgent. The same scene(s) - literally the same scene - is shown an unreasonable amount of times. The symbology of the film is overwrought and cliched (the tree of life, etc. etc.). The jilted time frames and chronology of the "stories", which add very little to whatever depth one might be able to invent, are unnecessarily confusing as well as arbitrarily placed though-out a far too lengthy running time (during which very little actually happens). Usually, the highlight of a slow-paced or minimalistic film is its attention to tone, however, because of the non-contingency of the entire experience, no atmosphere is truly unearthed. Instead, the movie just appears lost. Worse is that the filmmaker is constantly informing us, through his direction, his use of dramatics, and his imagery, that something profound is happening. To me, the constant reminder that something important is happening only extends the dubiosity I hold to any film that already can't seem to articulate it's supposed insights. Really, I could go on forever. |
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