Colourizing Techniques, What are you secrets to colorizing? |
Colourizing Techniques, What are you secrets to colorizing? |
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#1
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Senior Member ![]() ![]() ![]() Group: Member Posts: 68 Joined: Jan 2006 Member No: 353,618 ![]() |
I use the pen tool instead of the lasso, because I could go back to fix mistakes without having to complete the entire selection. (Something I learned from vexelling). I also colourize in all layers so I could load layers and delete it from selections. I don't know anyone else who does this. What are your tricks when it comes to colourizing?
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#2
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![]() in a matter of time ![]() ![]() ![]() ![]() ![]() ![]() ![]() Group: Staff Alumni Posts: 7,151 Joined: Aug 2005 Member No: 191,357 ![]() |
I always, always use the free-hand lasso tool. Easy to use, easy to fix (just use the lasso tool set to the deselect button to fix anything up). Way more user-friendly than the pen tool, and colourizing doesn't require the type of smoothness a vector/vexel demands.
Here are some of my techniques/tips: - Never use just one colour for one body part/object. Especially for skin. Use different shades, different saturations. - Don't just use the blending mode "Color". Try out all the other ones. My personal favourites for lips are Soft Light and Color Burn; sometimes I use Soft Light for the lighter bits of the skin also. - The feathering settings are your best friend. Depending on the size, a 20 px works well for eyeshadow for a larger image. - I like to take a b/w image, colourize the full image with a skin-colour shade, then duplicate the image two times depending on the contrast. I set one layer to Screen and one layer to Soft Light/Overlay. If it's too orange, red, yellow, blue, whatever, I'll mess around with the Hue/Saturation until I find something I like. - Color Balance = <3. It's fantastic to fix up some minor colour problems and works wonders. |
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