QUOTE(ThunderEvermore @ Sep 1 2009, 05:20 PM)

Can't believe this is still here.
ahaha, yeah. i always come back and throw something @ it, hoping someone may gather something valuable from it all.
QUOTE(ThunderEvermore @ Sep 1 2009, 05:20 PM)

Note: thanks to your suggestion I had watched Breaking the Waves (Wow) and now it's a movie we might be watching in my college class, Intro to Film. Wicked.
thoughaha! voila! i'm glad this was helpful for @ least one person.
QUOTE(ArjunaCapulong @ Sep 2 2009, 03:49 PM)

What's OFSC's (Nate's) opinion of Citizen Kane?
CITIZEN KANE is a pretty good movie, but, to me, it sort of sits @ an unfair seat as the king of american classic cinema (although i find it more deserving than say CASABLANCA). here is what i will say about it: orson welles was granted an unusual luxury in early 1940's studio system hollywood, he had significant directorial control. although this control was not necessarily designed (i've read stories of the studio checking up on welles, and him hiding away on set or creating extravagant distractions in order to avoid any studio interference), it was actualized. most importantly, this control was actualized during a period of very restrictive filmmaking. because of this, orson welles was able to do something that no one had yet accomplished (@ such a scale) in the american tradition, he made the camera a character in his film. the photography in CITIZEN KANE is more mobile, more alive than perhaps any film of the same era. here, the cinematography really transforms independent of the narrative for the first time in america. this is really amazing & really interesting, and... if it wasn't for a phenomenal story, perhaps this renaissance of guerrilla creative control would have been ignored.
CITIZEN KANE is about the importance of authenticity & the innocence of youth, CITIZEN KANE critiques career life & media & social icons & enterprise; perhaps in telling something simple (money doesn't secure happiness) in such a complex & mysterious way CITIZEN KANE is able to still haunt & amaze us.
i do really like citizen kane. i love "rose bud" so much. i love the majesty of a lost & defeated giant. nonetheless, i would rather see people in love with something like kazan's A FACE IN THE CROWD (which to me, is like the lost CITIZEN KANE).